Monday, June 21, 2021

A label re-released the album of a deceased Brazilian artist. He was still alive.

He impressed his upcoming producer Quartin by playing a waltz, which he made on a guitar after dinner at a mutual friend’s house. Shortly thereafter, she was introduced to Bahiana through a friend, and went to meet her future colleague at her home in Ipanema. The duo began writing hundreds of songs, which would become “Unpleasant” and “A Viajem das Horus”.

“We clicked immediately,” Bahiana said. “I loved his music. It was easy for me to find words for his songs.”

Quartin, a local producer and label head who had released some 20 albums through his forma imprint, selected his songs of choice and put Mauro and Bahiana in the studio with Lindolfo Gaya, who worked on the song arrangement And conducted orchestras. “Unpleasant” was released with little pomp; Quartin lost interest in outselling “A Viagem das Horus” and sold it.

“You know the labels that do the best songs of the ’40s,” your favorite jingles, that sort of thing? ” Bahiana said. “He sold the second album to the kind of company that originally trashed it. And that was the end of the story for us.” Bahiana went back to college and followed her passion for writing. Mauro lived in Rio, Taught guitar and composed music for theater.

Mauro said the six-year wait between albums broke her desire to write more songs: “It took like centuries,” he wrote. He has no doubt that he and Bahiana had one and two L.P. Produced enough music to release. Frustrated with the industry, he eventually opted for a quiet existence. As he grew older, he had to stop playing guitar altogether: Mauro was diagnosed with Parkinson’s disease at an early stage. Now his trembling hands will not let him play the instrument at all. “To further complicate things, people assumed me dead,” he wrote)

Despite losing his creative spark, Mauro is not focused on regret. Music still sounds as lively today as it was four decades ago, it is quite good for them.

The same goes for Bahiana, who likes the purity of music. “It’s her soul talking,” he said. “There’s no gimmick there, no ‘I’m going to write this because it’s a trend.’ It is just like what we created, the way we showed his soul. His heart is there. “

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