‘All the Streets Are Silent’ Review: Hip-Hop and Skateboarding Collide


In the late 1980s and early 90s, long ago hypocrite After hours spent waiting for the coveted drops outside the Supreme store in Soho, skaters gathered at a small shop on Lafayette Street. There, they smoked and skated watching videos, listening to music, and cracking jokes with friends.

“All the Streets Are Silent,” a documentary by director Jeremy Elkin, is a portrait of the times, capturing the transformative moment when hip-hop and skateboarding culture converged in New York. It is based on archival footage of influential figures such as Justin Pierce and Harold Hunter, among dozens of others, and includes new interviews with other major players such as fab 5 freddy and Darryl McDanielsRun-DMC’s. Throughout, Elkin explored how racial associations with both subcultures were broken by the colliding of their worlds.

The film revels in obscure, intimate home videos from that period, courtesy of narrator Allie Gesner, who spent most of his youth filming the scene on his camcorder. There are shots of skaters dodging traffic at Astor Place or partying at the now defunct hip-hop nexus club Mars. At one point, a young Jay-Z appears, who raps at lightning speed to the breakbeat. The film immerses us in this world, providing a loving, tender tribute to the city’s street culture before it went global.

Ultimately, “All The Streets Are Silent” has little to offer other than nostalgia. An ending that considers the mainstream explosion of these subcultures is ambiguous and provides a surface-level analysis. The film excels when it harnesses the thrilling adventures of a bygone era, reminding us of a rich, creative past that deserves ample recognition.

all roads are silent
not evaluated. Running time: 1 hour 29 minutes. in Theaters.



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