In addition to the sheer indifference of seeing a crowd of big rock concerts together (and without masks), the rock ‘n’ roll documentary “Long Live Rock … Celebrate the Chase,” directed by Jonathan McHog, a longtime music supervisor , On a small ground. pay attention. Almost talking heads – consisting of fans and notable talent (Rob Zombie, Jonathan Davis, Ice-T) – the film aims to celebrate the uniqueness of the rock and metal communities, but becomes a repetitive sound clip. Subjects claim that this functional is different from others, but fail to explain how. Instead, the thinnest limb that sticks is the concentration of white fans in the scene.
The whitewash of the hard rock world is immediately felt in this film. It is especially disappointing to see an interviewer compare to a “tribal war dance”. McHog later makes a quick detour to the black roots of the rock, but the history lesson is very brief and basic. Similarly, its role in feminism remains at the surface level, not so much from crowd-surfing as an act of empowerment.
In his late twenties, Gears again switches to addressing the decline of drug addiction and the hard rock lifestyle, but the tonal shift from unauthorized adoration troubles this transition. “Long Live Rock”, like a sentimental but rudimentary essay, sounds best. More often than not, it feels like a table of contents. The hot-topic button is touched, but McHugh is not able to get far enough into the mosh pit.