‘Cruella’ Is An Unexpected Treat With Emma Stone’s Dark Spin On Disney Villain Origins


Disney’s latest brand expansion comes a quarter century after Glenn Close portrayed Cruella de Vil in the live-action “Dalmatian,” setting a high bar for dog-hating villains.

Stone, however, makes the younger version of the character his own—she’s as much Catwoman with her leather outfits and pure dialogue—and finds a worthy rival in Thompson, with a parade of two modeling frocks that dress and set. suggests the designers were having the time of their lives.

The film comes exclusively to Disney+ (eg. “Mulan” for a premium fee) as well as in theaters, and surprisingly with 2-hour and 15-minute lengths that may somewhat exceed its reception, may actually play better on the small screen. Plus, while kids might enjoy the sight of it, “Cruella” is dark in a way that could easily turn them away, making this punk-rock-tinged film something more to suit the tastes of nostalgic adults.
Disney has dutifully outperformed its creative wheelhouse, with mixed commercial results. live-action adaptation – Think of “Beauty and the Beast” and “Aladdin” compared to more adventurous ones like “Dumbo”. “Cruella” may actually work against its commercial potential for reasons that represent a pleasant surprise.
Still, Disney’s gamble paid off in exploiting Craig Gillespie (“Me, Tonya”) to direct the film, working from a script and story credited a handful of writers, among them Dana Fox (“The Couple’s Retreat”), Tony McNamara (“The Favourite”) and Aline Brosh McKenna, who wrote “The Favourite”. Devil Wears”. Prada,” which sounds like the spirit guide of the film.

The source material cited is a Dodi Smith novel, but let’s face it, Disney wants you to stream the earlier movies later, not read the book. The plot, while naturally full of callbacks, is relatively simple: it’s the 1960s, and young Estella watches her mother die after she takes money from a fashion diva known as the Baroness (Thompson). who is the owner of several spotted dogs. .

Flash forward a decade, and Urnin has grown up in stone, mostly happening as thieves with his friends Jasper (Joel Fry) and Horace (Paul Walter Hauser). Landing a job with the Baroness, Estella begins planning her own revenge, turning Cruella into a sort of fashion vigilante alter ego.

“Cruella” thus acts like a prank film at times, while drawing on a seemingly unlimited song budget that nicely sets the mood and atmosphere of the ’70s. Most importantly, the Cruella-Baroness showdown turns into a battle of will and intelligence, with the latter eventually finding an opponent who can challenge her ruthlessness.

“He made it to me or him,” the Baroness scoffed after expressing solemn admiration for Cruella, “and I choose me.”

In terms of fashion, it’s “who wore it better” than “who wore it” and both are excellent. “Cruella” won’t be to everyone’s taste, but to borrow from the original song, if stripping Stone and Thompson doesn’t keep you entertained in the least, no bad thing.

“Cruella” will premiere in theaters on May 28 and on Disney+ for a premium fee. It has got PG-13 rating.


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