Eddy de Pretto is now 27 years old, and these days he sings on some of the biggest stages in France – or he did, when the stages were open. When he was 21, he performed to a small audience: tourists on the Batco-Mauch, boarding a Paris sightseeing cruise, drawing millions up and down the Seine.
“It was a very crazy job. I was on singing cruises, where they would give you a dinner, “De Prieto said in a recent video interview from Paris. From the small stage in the dining room of the boat, he remembered, he would give the tourists a sorbet. Charles trenet standardsFor total apathy. “They were eating, looking at the Eiffel Tower. They didn’t even feel like someone was singing – they felt it was a soundtrack. “
He said, “But those three years on the Batco-Pouch were completely typical for those who like to make a career.” “It was all set to sing every night in front of people who didn’t give a damn at all.”
The lonely nights on the cruise ship are the genesis of De Prieto’s second album, “Toss Les Batards” (“Two All Bastards”), released in France last month. “I waited patiently to take the throne / and they would sing my songs like I sang ‘La V en Rose’,” he belts on the first single, “Batuco-Moches, “Whose songs from the start-down recall many hip-hop boast. But are both Rihanna and ia Dith Piaf as your cheststars? That is rare.”
De Prieto became famous in 2018 with his triple-platinum album “Cure” and his mix of urban beats and chanson poetry was not his only unusual quality. His voice was: big and vibrant with every syllable for the back of the house. Was there his look: A medieval monk like hoodies and tracksuits, a three-day beard and a strawberry-blonde tonsil. And his biography was: a young gay man, uninhabited and disgruntled, from the suburbs who are still typecast by Parisians as cultural backwaters.
He was born in 1993 in Creteil, southeast of the capital. His father was a driver, and his mother was a medical technician, honoring an older generation of French singer-songwriters. “We lived in public housing, and my mother listened to a lot of Barbara, Bressens, Braille, Charles Aznavour.” “She used to listen to it all the time, and also very loud indeed. It’s loud enough to hear it on a vacuum cleaner.”
De Prato said that he played the game as a child, badly that his mother enrolled him in acting classes. The stage suited him. He landed a few small TV and film roles. But his dramatic tendencies were not in line with the macho culture of the Paris suburbs.
That tension prompted their breakout single, “child, “A mid-tempo ballad about parents and their sons.” You’ll be manly, my child, “de Pretto sings on spare piano chords and digital hi-hats, though the song’s video calls him attention. Shows keeping in. Shirtless and in a sweat-soaked gym, De Prieto looks too far to lift Barbell extensively, stuck between family expectations and his true nature.
“Every single word from a child is so amazing,” said the singer. Jane birkin, Which performed A duet with de preto In 2018. “He was facing a lot of trouble, with tough friends, passing through a very difficult neighborhood. And I think they should respect themselves – I will not play with them. And, at the same time, he has great fragility and great poignancy. “
“Kid” was an instant hit in France, and seemed to come out of nowhere. De Prato’s weighty voice sounded like a ’60s slap,’ but he sang on extra, menacing, bass-heavy beats. Dirty songs had the vibrancy of the suburbs, but were poetic as if they were acidic, with the French fixation on which de Prato calls “the weight of the word”.
For his first major TV appearance, in 2017, he performed together Nothing but your iphone For accompaniment. Album cover of “Cure” There was only one Gen-Z nonclass: mirror selfie, phone in hand, feet on the kitchen table. A critic for the French newspaper Liberation Kasale said – but not without reason – that it sounded like a late night drunk sent for a pick grinder hookup.
In fact, de Prieto also had its subject matter: charming glimpses in the locker room, after-parties in the basement in the dark, solemn evenings trapping the app. On his fangs solo “Fate de trope“(” Too many of a party “), he describes” Tonight’s boys “as yet another evening rising high and slipping” into the saliva dripping mouth of my tongue “.”Jungle de la Chop“(The Hookup Jungle”) delves into the “brash triumph” of casual sex, safe or otherwise.
Some gay musicians have considered their homosexuality to be a non-; Others want it to be a mark of distinction. De Prato’s debut was so thrilled that he did neither. He regarded his identity as a fluke, and thus did nothing special. “I’m writing from my point of view as a gay man,” he said. “But the song is not a defense Being gay. I mean, yes, I’m gay, and I’m watching society. “
However, he has recorded one of the witnesses’ anthem. “serious“(A Big Thing”) is a strange, filthy encouragement for curious gay youth – for Christina Aguilera’s “pretty” teenagers, whose first scene of same-sex intimacy comes via streaming video. This is a catalog aria of gay rites of passage, which De Prato sings, “is not a big deal”: outing classmates in gym class, fantasizing about their best friend, and in a family newspaper Not very printable. “It’s not alive: it’s a big deal!” He survives.
“If I had to compare it to someone, it would be Christine and Queens, Although Eddy has not exploded internationally, ”said Romain Burrell, editor of the French gay magazine Tetu. “Christine really opened the way to questions of gender and sexual orientation,” he said. “But Eddie is very, very French. Music has globalized, but when you listen to Eddie de Prieto, you 11th Arghyadhan“
The music, “Les Tous les Batards” sounds like “Cure”: the same big sound, the same minimal beats. But de Prato’s writings have become less angry, more confusing. “Dezol Caroline” (“Sorry Caroline”), its second single, sounds like a breakup song, addressed directly from a young gay man to a girl he can’t love. (In the interview, De Prieto described such romantic rejections with the catchy frangalis verb “Friendzone.”)
Again, this “Caroline” – whom the singer wants to get out of “my veins” – may not be an actual girl. He may be a personification of cocaine: a double meaning he locates in the music video, featuring Prey Proto in a white parka singing amidst the snow.
“I like to play with these double meanings,” De Prato said, “because it opens up the field of possibilities.” He certainly leaves the field open at the end of the “certainly toss les battards”, which is effortlessly superb bowling.La zone“Here suburbanity and sexuality become interchangeable, as de preto entices us into a smooth falsetto for impending risk … well, a certain area is often considered dirty or dangerous.
“La Zone,” in French Long, refers to a rough suburban neighborhood, the kind of place you can go to score drugs. But there is a place where “some people are afraid to go,” as de preto crons of “dark pleasure”, makes us realize that the particular area he is inviting you to is more structural than geographical. (Birkin said the song “reminded him”Sonnet do true de cuil, “A poem written in 1871 by Veraline and Rimbaud.” It is a wonder that people do not talk much about it! ” she added.)
Paris suburbs have given birth to the best of France The singers And the actors And artist’s, Reign is not mentioned Football world champion. And yet the largest and most diverse city in Western Europe still considers cities outside its ring road to be inaccessible places. “This was the first project and I hope this second album: breaking these imaginations and making these ideas happen in everybody’s suburbs,” said De Pratto. “And a very conservative view of being gay.”
“It is the work of an artist,” he said, “to find points that have not yet been met.”