Film or Real Life?


Sometimes a place is more than just a place; This can be a scene. Even the most empty backdrops, such as parking lots or sun-baked freeways, can be flickering with cinematic potential. Four photographers showed us the moments of the film that they found everywhere.

Jolie Rubena And

When Jake Michaels began shooting around Los Angeles, he saw how the background and innate action within the frame combined to tell a story, and how those moments quickly dissolved. “That’s why I think it’s interesting to go back to a place many times,” Michaels said. “You can see the kind of cycling that is life. You see from a static point of view how much life exists in that frame.”

An Rong Joo, who made these photographs around Taiwan, is often influenced by 1990s Hong Kong films and Taiwanese cinematographer Mark Lee Ping-bing, who “made pictures with slow gestures that gather in something larger , “Xu said. In other words: the audience understands a big story in the picture and is attracted to that mystery.

These pictures were made by Sarah van Rijs around Amsterdam and The Hague. Van Ridge announced that the filmmakers strongly influenced his work – “probably more than other photographers,” she said. Van Ridge, who takes most of his shots outdoors, discovers a feeling before breaking the shutter, sometimes inventing his own personal back story for a scene.

For September Don Bottoms, who shot in and around Tulsa, Okla., Responds to a picture cinematic flow from his personal point of view. “I take pictures of my life all the time,” she said. “Every picture is about me and I’m never in what I’m seeing.”

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