Sunday, May 9, 2021

Four directions take outdoor comedy in unexpected directions


Laughter does not resonate with the clouds. This is the first challenge of outdoor comedy. According to common sense, the ideal conditions for stand-up – small dark rooms, low ceilings – are in stark contrast to the al fresco comedy. Actually there was a history of this kind of performance, before the epidemic, with it ours Street comedy The legends. But in the past year, a niche became mainstream, and now, there is a new genre of specials tried by Chelsea Handler, Colin Quinn and others. Four more funny comedians have recently laughed out the specials, and considering the loosening of the rules for indoor performances, they may even be the last of their kind.

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No artist embodies the globalization of stand-up over the past decade, like Vir Das, the currently prevalent Indian comic shooting a new Jude Apatro comedy. If the slave was not already broken, this role could be a breakout. With six specials and about 8 million Twitter followers, Das is a huge star, not in America yet. But his captivating, charismatic humor style seems perfectly suited to cross-cultures. In a video shot in a forest in the southwest of India, he is releasing jokes monthly this year (he took a break in April for filming). Everyone takes up a soulful subject sufficient for worldwide interest (religion, freedom to speak, relationship between East and West).

For example, among supporters of Trump, Brexit and Indian Prime Minister Narendra Modi, he is quick to link different cultures together. But this widespread ambition did not make him the mistake of avoiding exclusivity. Her comedy is replete with references to Indian culture, which I did not understand, but she manages to explain quickly or provide enough context for me to explain.

You do not need to watch Modi’s speech to find an imitation of his speaking style by Das. Das is particularly sharp on worldwide accents and their meaning, perhaps second only to Trevor Noa, another digitally savvy comic who is adept at jokes in that continent. Poking fun at how Indian or British accents are adopted, Das explains that they never pick up Germans or Mexicans, stating that Indians are “aspiring” in their accents. But his local jabs lead to a big critic of the West. After a reference to Harry Potter, he explains that the books are popular in India. “We love British magic,” he says. “Remember the trick where they made all our resources disappear?”

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At the beginning of his latest special, venerable stand-up Brian Regan draws attention to his sudden gray hair. “Kovid hits,” he said. “I went into hibernation and turned out to be a senior citizen.” And That The minor-critical observation is the last occasional note of this finely composed hour of jokes. Regan has always been good at escapist observant humor, and he doubles down on light entertainment, exploring standard subjects like animals, food, and language. (“Orchestra Pit. Those words are not together.”) There is a detailed, slightly stand-off about his OCD, but his work is far from personal. It is old school-joke, with extensive mugging and utilitarian changes (“I like the words”). And when he walks out with a masked crowd, the sound design and camerawork emphasize nothing different than a prependency show.

Many people will find something refreshing about entertainment that seems from another, more reckless time. Regan (Who Covid-19 Contracted In December) is a rare comic that recites jokes regularly, you’ll have no trouble telling your bizarre children. Their rhythm is similar to that of Jay Leno of the 1980s, and while they are both workaholics, Regan proves them consistently. It is fairly easy for the casual observer that Regan has honored for decades (patience with setup, choice of spot-on words). Even because of his clownishness, squinting eyes, darting, barking, he makes the stand-up look easy.

A respectable car is one of the ugliest sounds of everyday life. We have been conditioned to associate it with worry, error, even danger. It is like hoping for a comedy show to stand in for laughter, replacing the kiss with a cough and hoping the romance will continue right. So Daya comics like Erica Rhodes who are performing the most in drive-in theaters. “The good news is that the number is finally going down,” she says in her entertaining hour, holding the beat before the punchline, “chasing people to their dreams.”

Rhodes, who smiled at the smile after jokes about depression, terrible dates, and the disappointment of having a towel in his 30s, made the comedy rich. There is a tension in this incompatibility that makes for a promising stand-up personality. But many of her more ambitious bits, such as those about online dating, seem incomplete, with a strong start, gaining momentum, then being carefree. In some cases, it is the reverse. She says a very shrill talk about how digital conversations are ending these days, the result is that everyone feels frustrated. But she begins with a sentence about the end of the period that is not completely grounded. This is a good joke in search of a better setup.

Rent or buy it Adventuress

In her constantly fun new special, Esther Steinberg announced that she got the perfect guy before listing all three things she’d always wanted: she’s tall, she’s Jewish, and has a dead mother. is. It is one of several new spins on old Jewish jokes in a set that represents a breakthrough for this masterful comic. It is notable for the freshness of the material (weddings, maternity, strip clubs), for the giddiness of its delivery.

Steinberg, who gave birth just six weeks before the shooting of this particular, has been a comic charismatic sparkplug for years, but here is a goodness that is the work of someone who has come into his own. Layering within the jokes (on the same drive — where Rhodes performed), she laughs without wasting words, deadpan dry to vocal fry from a fiery whine. His physicality somehow manages to provoke Bill Burr And Kate Burlent. She is woven in the context of an epidemic without extracting her mischievous soul and immediately avoids the ridiculousness of performing for cars. “I’ve been doing comedy for many years,” she says, “and I finally realized that my fan base is Kias.” Then after some respect and laughter, she turns to the audience and says with a straight face. “This car knows what I’m talking about.”





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