Sunday, May 9, 2021

From Claire Rousse, Field Recording for a Modern World

A spring evening, San Antonio located Experimental musician Claire Russo Was in the driver’s seat of his parked car, smoking cigarettes and a well-concealed drink when he picked up the Zoom H5 field recorder that was never out of his reach. “I track my whole day every day,” Rousse says. “If I am at home, there will be a pair of stereo microphones in my room, and a field recorder in my bedroom. I’ll probably have an 18-hour field recording … I basically record my whole life. “

She converts these found sounds into musical conferences That detects the grain of emotion in the mundane – a car door slammed, a light ignited, an Apple keyboard middle text blink. In terms of what a songwriter can convey in a poem, Rousse talks with raw audio. You can call it sound art, but it is clearly weak. More appropriately for Rousse – who refuses to confirm his exact age, but identifies as “a millennium sun, the jumor rises” – his work marked “EMO surroundings” is.

Last fall, Rousse released a 20-minute composition “It was always worth it, “For which he cut the contents of the actual love letters he received through a robotic text-to-voice program to a six-year relationship. This was a heartbreaking event, due to the lack of intimate conversations of the new 3, Caliber, in a year. In a world of endless distraction, rousse is an art of meditation. His immersive new album, “A soft focus, “ is To attract her first into melody and harmony (“Enjoy making music, “As it is called), and although he is posted for 22 releases band camp From 2019 onwards, it seems like an arrival.

As his art in his life, Rousse seems intent on breaking through the perceived super-seriousness that his work can portray. She calls karaoke “an intimate soul effort” (taking her go-back Sunday and Lil Peep) and lights up while discussing, with equal reverence, composer Pauline Oliveros BookListening deep“(2005) or his longtime favorite band, Bright Eyes.” Being a real person is what I care about the most, “says Rousse.” Being current and open. “Evidence of this commitment to honesty last spring. can be found “Im not a bad person but…, “Another text-to-voice piece that ends on a bold admission:” I think Avril Lavigne’s album ‘Let Go’ is better than Coltrane’s ‘Giant Steps’. “

Build on it Unconventional style, Rousse produced “A Softer Focus” as an equal collaboration with the San Antonio artist Dani Toral. The pair met in middle school – after Toral left Transferred from Mexico City, and Rousseau from Canada – but soon there were In constant motion, with various Tourism and residency, until the epidemic forced them to live. In addition to the floral cover art, Toral produced a video, took photographs, designed a T-shirt, named the record and several songs and made 30 ceramic whistles to go along with the release. The common formula, Toral said, is that “shine” is a feeling of comfort. A 2006 book about the history of ceramic instruments, inspired by Mexican folk art and titled “Mud to Music”, was a particularly apt addition. “I love clay because it holds so much memory,” Toral says. “It bears every touch you put on it.”

Rousse’s pieces work similarly, and for “A Softer Focus” She recorded Toral in her backyard ceramic studio, whistling one of them, playing it and depicting the process – putting her dialogue to music. In the album, snatches of dialogue give Rousse and Toral an opportunity for visual artists to ponder the stresses of Instagram – the worry of not only hoping to post your work but your life. “It had us smoking couples and talking,” Rousay says, “and I think the recording is as deep as six couples.” This is a detail that speaks to the ethos of the entire project’s appearance and development: Toral had never made digital art before, and as Rousse puts it, “I didn’t really make a commendable record. The only thing. What was familiar was the feeling of being in the field. We were learning together. “

Rousse Grave In a strict evangelical Christian homestead in Winnipeg, UP, Manitoba – secular music was celebrated – and was 10 years old when his family moved to San Antonio. She used to beat drums during church services before Christianity immoralized herself and instead searched for meaning. After leaving high school at the age of 15, she toured with an indie rock band and, after discovering jazz, turned to free integration. He traveled as a solo percussionist in 2017 doing 200 gigs alone.

Awe-inspiring swarm “a soft focus” All of this can feel like a mixture. On the highlight track “Peak Chroma” – named by Toral to awaken “one color’s highest saturation” – Rousse made a pitch-shift reference to hearing “the latest Blackbear song” in reference to Florida’s EMO rapper and Justin Added the vocal line. Bieber co-authored Matthew Tyler Musto. It is conscious of a realm of contemporary pop, which Rousse finds “infinitely more experimental” than many artists allow. “I don’t want to be pigeon-holed,” she says. “Experimental music is as limited as it is. There are so many fake rules that the whole thing is not really experimental anymore. What can I do to change that? “

It was around the time that he embraced the EMO environment as a narrator that he decided to avoid his unique confluence of interests. “I can’t do it anymore, like, ‘Oh yeah, I really love Stockhausen’ – are you kidding me?” She jokes “I don’t know how you can choose about certain parts of your personality.” Ultimately, though – and in another allusion to Oliveros – Rousse says his biggest influences are likely in the sounds of his own environment.

“Sitting on the back porch, listening to the sound of my backyard – that’s what it should be,” says Rousse. “But if I listen to Fall Out Boy every Friday night after 11 pm when I’m blackout, it’s like that. Some people have cicad in their backyard. And some people have Fall Out Boy.

Rousse has both. And it’s almost a duality of meditative peace and earnest feeling “A Soft Focus” as well as “It Was Always Worth It”. “I know things have become rough lately,” a dispassionate automated voice announces later, but I want to remind you that I love you, and I’m working hard to be with you I am I liked you very much. you are so loved. Even if you were not, you have to remember that you have to love yourself above everything else. He is the most important love you can experience. “

I ask Rousse when he realizes that self-love is the most important kind. She says it was two years ago, when she came out as a trans. “I have a very close relationship with my immediate family,” she says. But she speaks with confidence where she finds satisfaction: “Enjoying the simple pleasures is a big part of my job,” she continues. “I love lying in my backyard and picnic with me. I do not understand why it is always excluded from things. “Holding the delicate rustle of these small moments is the way of rousse to increase the joy inherent in them.”

Recently, Rousse took a walk along the San Antonio River with her dog, Banana. He brought his recording gear – headphones, a couple mix – and at some point, he and Banana sat down to drink water. In the audio, there is the sound of the river, the jingle of a banana collar, the birdsong, and the hump of traffic in the distance. Rousse Texting also has its mark, Smelling, breathing deeply. “I’m crying because I’m invested in that moment,” she says. “A dog that loves me, to be able and to walk in a park when the weather is right, is a field-recording device that I was too poor to own for some time …”

“There were many points in my life where I was not satisfied with simple pleasures,” says Rousse. “But sitting with headphones on, listening to what the microphone is picking up – which is the closest to any kind of inner peace I’ve ever experienced. Even though I’m essentially not recording anything. Because I’m In the moment. When you slow down and really think about what’s going on – it’s beautiful. “

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