Like many musicians, Jay Muskis, leader of the Stelvert all-rock band Dinosaur Jr., has struggled for a year without touring.
In a phone interview from his home in western Massachusetts, Macias said, “I haven’t been home in a long time like this, like high school.” “When you can or can’t do anything, just sit back again,” he said. “My mental health has definitely deteriorated.”
But a few weeks ago, Dinosaur Jr. moved towards normality by announcing a comprehensive Fall attack, Booked with a handful of warm-up dates for early May.
“We are not naive; We know that we may have to reschedule, ”said Mascis. “But just to do something on the books somehow things are expected a bit too much.”
After a grueling year, blocked by what is often his most important income stream, musicians are impatient to get back on the road, and fans are eager to experience live music again. Although large-scale shows in arenas and stadiums may not fully return until 2022, promoters and talent agents encouraged the pace of vaccination, which could lead to surprisingly busy summers and fall clubs. , Theater and outdoor spaces.
For now, there may be a trick of events. New York State will allow reopening of entertainment venues from Friday 33 percent Their regular capacity up to 100 people for indoor locations. Across the country, regulations from local governments have kept many clubs and theaters closed, or allowed them to operate at lower capacities – enough for many of those venues to have enough business operations and the core of paying artists and staff. Does not allow costs to be covered, Audrey Fix Shaffer of the 9:30 club in Washington.
“The only thing worse than being completely shut down is being partially reopened,” said Fix Scheffer, who is also a communications agent for it National Independent Venue Association.
But many artists are asked to plan tour announcements soon, and starve owners – pleased with the prospect of $ 10 billion in federal relief Closed Venue Operators Grant The fund, which they can apply to start April 8 – is eager for business.
Relatives of the club and theater set to reopen in the spring accommodate a handful of seating plans, temperature checks and financial deals with the cast. A recent rock concert in Spain with extensive Kovid-19 security, was attracted 5,000 fans. According to data collected by Pollstar, a trade publication, these programs are being closely watched by the concert industry, which was expecting its biggest year in 2020, but lost about $ 10 billion in box office revenue.
City Winery, a restaurant and concert venue on Pier 57 on Manhattan’s West Side, is reopening Saturday with a performance by singer-songwriter Rath Miller; It is slowly filling the calendar of socially perverted shows, confirming a few days ago. (Rufus Wainwright, Steve Earl, Patti Smith and Stephen Merritt of Magnetic Fields are among those) Almanac.) Tables have been arranged to allow space between the parties, and patrons, who should not wear masks when seated, must check their temperature upon entry.
“Even if it is for 100 people, it takes on such significance to be put on the show,” program founder Michael Dorf said. “It feels like a sacred work, putting on culture.”
Miller, a regular performer at dozens of City Winery spots around the country, said he struggled with forced grounding from Kovid-19, though he also noted the silver lining of spending more time with his family. The idea of playing again, he said, both arouses and terrifies him.
“I’m dreaming about night after night, climbing on a platform in front of people,” Miller said. “Dreams are strange and strange. Half the time I’m trying to sing through a mask, or I’m in trouble for not wearing a mask. “
Major tours, which usually require months of planning and a large crew of workers to hire, have a period of next year or until 2023. This should make the next few years an extraordinary time for live music, with dozens of superstars planning to act, postpone rescheduled tours and make up for lost time. But it could also be a test of infrastructure visits and fans’ willingness to buy tickets for several high-profile shows.
“The amount of stadium activity in 2022 is something I’ve never experienced before,” said Jay Marciano, chairman of AEG Presents, one of the industry’s largest promoters and venue operators. “More than a dozen prominent artists are actively holding real estate for the next year.”
The fate of summer festivals, an important bell, is still uncertain. Some people, like Newport Jazz and Folk Festivals, plan to go to Rhode Island this year with less capacity. Bonner, in rural Tennessee, with Megan the Stallion, Lizzo, planned for September, Foo Fighters And others; Summerfest is a major urban concert series in Milwaukee, also planned for September. But will Lollapalooza move ahead in Chicago? unclear.
In New York, a smattering of clubs are also planning shows, such as Bowery Electric and Bitter End. But the majority are on hold for when they can reopen at full capacity, or close to it, many proprietors said. The industry is placing its bets for the summer or falling for it.
Nevertheless, many artists and promoters see every news about the spread of the infection and the spread of the virus.
British electronic duo Jungle has announced Fall attack At big clubs like Brooklyn Steele in New York and Anthem in Washington. The group’s manager, Sam Denniston, said all indications indicated that it is possible, as millions more people are vaccinated and more locations are fully opened. Yet uncertainty about the epidemic means that anything can happen.
“It’s like a penguin sitting on the edge of a cliff, and they push one to see if there is a killer whale or not,” said Denniston. “I think we’re like penguins first. But somebody has to take a risk.”
However the stadium-sized cast is relying on the epidemic under control and the complete revival of a slim industry for many others below superstar level until they hit the road, a year without the show is just enough Is long.
“I don’t know if I can wait another year for six months,” Miller said.