‘Kevin Can F**k Himself’ and ‘Physical’ Have Different Spins on Desperate Housewives


Aside from one of those titles that appears to drive copy editors crazy, “Kevin” becomes overly inventive if a little slow-moving: a woman whose conversation with her husband unfolds like an old-timey sitcom. Comes, complete with laugh tracks, and whose scenes are shot as a stark drama other than hers, where she plots how to escape, murder is her best option.

The genre-bending approach to this AMC series (which has already premiered on its streaming service) in the pilot episode featured Allison (“Shits Creek” Annie Murphy) smiles during the sitcom run with husband Kevin (Eric Peterson), a tasteful, sports-loving Neanderthal who treats her like a tormenting maidservant.

While living in Worcester, Mass., he thinks about the local Boston teams and is constantly hanging out with his best friend (Alex Bonifer) and dad (Brian Howe), both of whom always seem to be in a unique way in the living room. Sitcom for families.

Outside of that multi-camera space, Allison is furious at the kind that sitcom wives aren’t allowed to live in โ€” living a life of utter despair, working at a liquor store and pining for an old flame (Raymond Lee). To do what has just gone back to the city. As the episode progresses, she increasingly thinks about doing away with her husband, but his ineptitude which only reinforces the feeling that he has messed up her life and doesn’t really know its worth. about what to do.

Murphy is navigating very well between the two worlds, taking delight in minor acts of defiance, while the conceit dreamed up by series creator Valerie Armstrong represents a playful commentary about not only gender dynamics but television in general. is. Structure misses way “WandaVision” spoofs sitcom conventions Through the prism of more serious drama.

The eight-episode show would benefit from a speed boost (four episodes were previewed), as its protagonist at times felt limited by the format.

Those leanings aside, “Kevin” brings a sharp look at the image of sitcom wives over the years, who are set up as straight women for men behaving like little boys. The extent to which the audience can relate to this can decide whether “Kevin” will make them laugh or cry, but above all, it should leave them wondering.

“Physical,” meanwhile, is about the same way the aerobics craze of the 1980s “GLOW” Was About Women’s Wrestling Providing a background to explore many other issues, including the status of women’s rights in that era – that is, at that time.

Rose Byrne starred as Sheila, an often tone-deaf husband, Danny (Rory Scowell), who works as a professor in San Diego but chose to bid for political office. is. He is completely oblivious to his wife’s inner turmoil, expressed through constant narration by the little voice inside her head, which identifies the anger and doubt that haunts him, past and present. nibbles.

Sheila almost literally stumbles upon an exercise class run by Bunny (Della Saba), whose boyfriend Tyler (Lou Taylor Pucci) videos the side run to the alien. Since the Apple TV+ show is told via flashback โ€” featuring Sheila as a workout queen โ€” it’s likely going to put its time in a five-year hiatus in 1981, when she was involved in Danny’s campaign and a secret entrepreneurial venture. Bid joined the two to break free of their invisible shackles by wearing aerobic leggings.

With its look at California politics during the Reagan years, the “physical” has a lot to say about that time and now. But the show devotes too much time to developing peripheral characters of disparate interest, while refuting the old tactic of Sheila’s narration that actually comes out of her mouth too many times, while refuting those lines of candor. is punctuated by rare moments when she says what’s really on her mind.

As mentioned, “Glow” clearly represents a close cousin, and is inspired by songs that take you back to that time, with “Physical” producer Annie Weisman both at home and in the workplace. clearly rejected the preferences of women. .

How long “Kevin” and to a lesser extent “Physical” can maintain his routine remains to be seen; Still, in the context of the characters’ lives of resentment and quiet desperation, you can already feel the burn.

“Kevin Can F**k Himself” premieres June 20 at 9 p.m. ET on AMC and is streaming on AMC+.

“Physical” premieres June 18 on Apple TV+.

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