Nairi Baghramiyaan Is the winner of the 2022 Nasher Prize, an award given by the Nasher Sculpture Center in Dallas to “a living artist who enhances the understanding of sculpture and its possibilities”. As part of the respect, Baghramian, The one who is based in Berlin will receive $100,000.
She will also be celebrated next spring at a ceremony in Dallas, where she will receive an award designed by the Sculpture Center’s architect Renzo Piano. Past recipients of the award include Michael Rakowitzhandjob Doris Salcedo, Isa Jenzken And Pierre Hughe.
Jeremy Strick, director of the sculpture center, said the merits of Bagramian’s work were particularly evident amid the social isolation of the pandemic. “After these several months personal contact with beloved people, places and things diminished,” Strick said in a statement, “It was extremely important for the jury to champion an artist who works in the realm of the physical. is – tangible – and the work of Nairi Baghramian stands out for its deep commitment to the object-based traditions of sculpture.”
artist Phylida Barlow, One of the nine selected jury members sheds light on Baghramian’s way of connecting with the history of sculpture. “Baghramian’s visual language is rooted in traditions of sculptural form and shape,” she said in a statement, “but she infuses those traditions into deeply personal relationships with diverse contexts – from architectural to anthropomorphic.”
Baghramian explained that he is particularly pleased to have won an award that does not pit the artist against the artist. “What I love about the award is that it’s not a competition, it’s not a visual competition between artists,” she said in an interview last week. “It’s discreet and it’s beautiful how the jury members do their homework behind the scenes.”
On a practical level, the prize is also welcome because it buys Baghramian time, which is an essential component of his practice. “It needs time to produce, it needs time to struggle,” she said. That’s why adequate financial investment is so helpful. “Sculpture production doesn’t just fall from heaven,” she said. “You work for it, and it needs support.