One Album Released by 44 Labels. Is This the New Global Jukebox?
Phil Fred said, “There may be only 500 people who are interested in the record, but I’m trying to find everyone,” Burning ambulance Is one of two younger American raids working with Senyawa. “They are great wherever they are in the world.”
When he discussed the future feasibility of the plan, Shabara said that the organizational refinement he envisioned. And Rabieh Beeney, owner of the German label Handling Manufacturing, suggested that bands could expand their audience by hiring a plethora of cooperative partners, large and small. “You can have up to 100 labels that reach obscure markets in countries where you usually can’t sell your music,” said Beanie from Berlin. “It’s quite utopian.”
But Stephen O’Malley – co-founder of Metal Duo Sun))) and a label owner – warned against downplaying the idea of Senyava in a novel strategy for sale. Many years ago O’Malley invited Senva Perform with her in europalia, A biennial arts festival, each event dedicated to the culture of a different country. He appeared in his openness and enthusiasm.
“Senva is a way to connect with a lot of people, a way to collaborate,” O’Malley said from his home in Paris. “So why should it be sustainable as a business? Of course the music is durable. It has been since the beginning of the species and is transmitted throughout. “
But the added connectivity is already changing Senyawa’s functions. This weekend, the group is presenting Pasar alqisah, A two-day virtual festival of performance, DJ sets, cooking classes and interviews, a major task of coordination between the band and their dozens of collaborators.
In September, when Senyawa recorded “Alakisa”, it came to a close Borobudur, The iconic Buddhist temple built over Java a millennium ago. Shabara and Suryadi isolated themselves in the home of a friend, surrounded by dense forest and a panorama of rivers and twin volcanoes. It was a postcard version of Indonesia – and a completely ironic place to hold a less conservative view on the world’s fourth most populous country.
“We are ordinary musicians like anyone else in the world who uses. We are just getting Indonesian, ”said Shabara, her words coming in a torrent. “If we want Indonesian musicians to flourish and be respected like the musicians of the West, then we have to think that we are part of the world, not the ‘third world’.”