Patricia Kennelly-Morrison, who wrote about rock when music journalists were starting to take it seriously, and through her work met Doors frontman Jim Morrison, with whom she said her marriage was one of a kind. He died on 23 July. He was 75.
his death was announced facebook page Lizard Queen Press, a publishing venture he founded and which published his recent books. The announcement did not give a reason or state where he died.
In the late 1960s, originally as Patricia Keneally (she later changed the spelling of her last name and, in 1979, added “Morrison”), she was the author of Jazz & Pop, a small but well-regarded magazine Was. . He interviewed Morrison in 1969, and when he shook hands, there was “a clear shower of bright blue sparks flying in all directions”, he wrote in a 1992 memoir, “Strange Days: My Life with and Without Jim Morrison”. ” They soon became romantically involved.
Ms. Kenelli-Morrison practiced Celtic paganism; On her Facebook page she described herself as “writer, ex-rock critic, Dame Templar, Celtic witch, ex-go-dancer, Lizard Queen. Not in that order.” (“The Lizard Queen” was a reference to a line from a Jim Morrison poem, in which he wrote, “I am the Lizard King.”) In 1970 she and Morrison exchanged vows at a “handfasting ceremony”, in which their Own drops included. blood.
He stated that his book “Strange Days” (also the title of the Doors’ second album from 1967) was a response to the 1991 film “The Doors”. Oliver Stone, who directed the film, consulted with her, and she also played the role of Wicca Priest who presides over the handfasting. (Val Kilmer played Morrison; Kathleen Quinlan played Ms. Kennelly-Morrison.) But she said she was annoyed when she saw the film at a screening, feeling it made the ceremony frivolous. , did not attach sufficient importance to his relationship with Morrison. , and misrepresented it.
“If Oliver had been at that screening, we wouldn’t have to worry about his film ‘JFK’,” he told London’s Daily Mail in 1992, referring to Mr Stone’s next film. “I would have killed him.”
Critics said that the book was merely an attempt to attract attention and grab a place in the Morrison mythos of Pamela Courson, another love interest of hers, who calls herself his common-law wife. Morrison died in Paris in 1971 at the age of 27; Ms. Courson, who was with her at the time, also died a few years later, at the age of 27. Drugs were suspected in both deaths.
In her book, Ms. Kenelli-Morrison blames Ms. Courson for Morrison’s death in the bathtub of her apartment. “She fed heroin to a man she claimed to love, leaving him while she was dying,” she wrote.
In late October 2010, on the eve of Samhain, the Celtic religious festival that inspired Halloween, Ms. Kenelli-Morrison spoke to The Daily News in New York about her plans to mark the occasion.
“I would put a light in the window to guide the spirits at night,” she said. “I will eat pork and apples in Celtic tradition for otherworldly ancestors. I will speak to my dear dead, including my father and grandmother. It will be a joyful and deeply sacred occasion. Jim usually appears And when he does, I will celebrate the new Celtic year with my husband.”
Patricia Keneally was born on March 4, 1946, in Brooklyn and grew up on Long Island. In 1963 he enrolled at St. Bonaventure University, a Franciscan institution in Allegany, NY, to study journalism. This is where he discovered Celtic religion.
“They had a wonderful library on the subject of St. Bonaventure, I think working on the principle of ‘know your enemy’,” she told The Daily News.
He transferred to Harpur College in Binghamton, NY two years later and earned a degree in English in 1967. There he discovered the political activism that was going on on campuses across the country. He also explored rock music, and in particular an album from 1966.
“It was called ‘Jefferson Airplane Takes Off’,” she wrote in “Rock Chick: A Girl and Her Music,” a 2013 compilation of her jazz and pop writing. “And I did too.”
While in college, he earned extra money as a go-dancer in nightclubs.
“With white shoes and the pastel-microdress go-go-girl template that was prevalent across the country, I went to the dark side,” she wrote, “clad in a black leather ruffled bikini, black fishnet and black knee-high boots happened.”
“I looked like Zorro’s weird girlfriend,” she said.
After graduating, she took a job as an editorial assistant at Crowell-Collier & Macmillan Publishing in Manhattan. He saw the first cover of Jazz & Pop magazine on a newsstand in 1967 (it was founded as Jazz magazine in 1962 by Pauline Rivelli, who expanded and renamed it to rock coverage in 1967) and found a job there. started lobbying. In early 1968 he was appointed as an editorial assistant. He was named editor by the end of that year.
The magazine was one of many that came out around the same time that took music more seriously than fans of the era. (Rolling Stone was founded in 1967.)
Ms. Kenelli-Morrison’s pieces set the tone for jazz and pop. In the April 1970 issue, he wrote about the impact of different types of religions on music. For example, he thought the band Coven was practicing black magic in dangerous ways. “Black magic isn’t just an interesting new wrinkle for the PR crowd to play with, or a hot new ad copy slant,” she cautioned.
Three months later she blasted rock fans for not being selective enough and not applying their wits to what they were listening to.
“How many excruciating guitar solos, how many organ solos that were so boring your legs started to hurt, how many meaningless vocal corrections, have we all sat down?” she wrote. “And to shake the ego at the conclusion of all these various memorials, how many standing ovations have we given?”
Steve Hochman, a music journalist who was also a friend, wrote of his influence. facebook post In view of his death.
“As a writer and editor for Jazz & Pop magazine,” he wrote, “she helped establish the fetish realm of a time when pop music was considered worthy of such critical attention.”
Jazz & Pop went out of business in 1971.
Ms Keneally-Morrison’s survivors include two brothers, Kevin and Timothy Keneally. a SisterRegina Kenelli, died in March.
In the mid-1980s, Ms. Kenelli-Morrison wrote a series of fantasy novels, known collectively as “The Celtiad”, based on Celtic legends and mythology. More recently, under the name Patricia Morrison, she wrote mysteries with musical themes, depicting her time in the rock world. Titles include “Scareway to Heaven: Murder at the Fillmore East” and “Daydream Bereavement: Murder on the Good Ship Rock and Roll”.