“Tombstone,” from the quintessential new Rod Wave album “SoulFly”, is a shocking soul about unmatchable weight. Wave, 21, is a tender singer who deploys scenes from a rapper, and on this song he finds a way to sing – about the burden of fame and how they are simply too high for the burdens that come before the name There are price replacements – with the gospel – like force and thought contemplation.
Last week, Wave’s third album, after “SoulFly”, Debuted atop Billboard album chart, Wave performed “Samadhi” on “The Tonight Show Starring Jimmy Fallon”. Singing on a Riverside porch, Wave gave both baptismal and funerals a breeze:
I keep my gun in my draw, dodge the sad news
My phone says seven missed calls, I know it’s bad news
This life scared me so much, I know it’s true
Remember the time was so hard, I adopted it
A week after the release of “SoulFly” came 19-year-old Lil Tajay’s second album, “Destined 2 Win,” which was just Debuted at number 5. If Wave is the throng of singer-rappers of this generation, then Sanjay is the sweet crooner. Both have more impact on the same subject matter – more money, more problems; Incredible companions and loyal people who are ready for it; Doubts about how stable they are. But where Wave ejects maximum gloom from these subjects, Taz’s approach is thinner and more brittle, rarely landing on a solid emotion.
Wave is perhaps the pre-eminent hip-hop sentimentalist of the last few years, and he chooses templates that allow his voice to be raised freely: a guitar-led arrangement that 1980s radio rock, or original drums Misses the pattern. Many songs are short – one verse and one verse, sometimes just verses. And the Wave has a special way of handling some of its line-ending syllables, breaking them into three descending steps, such as giving itself to gravity.
Mostly, he lies to mourn like “Gone till November” and “How to play,” adversely affecting adversity. On “Don’t Forget” amid snippets of an old excited broker C interview, Wave at least displays a brief glimpse of arrogance: “Rod crashed ‘Veit, but he’s back in a better” Rod Fix ” Arrived. Wait? ‘Nah dog, here it is the second one.
On paper, Tjay is working in the same emotional area. “I rap about my pain just because I know other people can relate,” he emphasizes “slow down”. And coming back to his opening singles, such as “Brothers”, Tadej has taken a microscope around the conditions that made him grow up. On “Nuf Said”, he shows a special kind of indomitable sadness related to a friend’s prediction: “On the phone to Brosky, he just wants to have another chance to live / But he stays in his cell for so long , He says “Cradle. ”
Taz’s voice is lofty – he is one of a handful of current saccharine-rappers, including Lil Mosey – and his approach is sweet but not particularly pleasing. His delivery can feel statocato, and so his lyrics, which are on songs like “part of the plan”, lead to non-sequitur, creating a rapport dealing with trivial thoughts.
On this album’s most recent single “Headshot”, he follows two of his guests, Polo G and Fivio Foreign, both of whom are tougher than what he does. As such, it recalls Tijk’s collaboration with Pop Smoke from last year on “Mood Swings,” a hit on Tiktok as the soundtrack to a comedic sketch about largely inappropriate older family members. .
They start with the lips of a lovely baby star that matches Teej about the object of their affection: “Shweti was a bit bad, she was the smell of my lil”. Then an old figure echoes them, lip syncing to the pop smoke: “And Shawty got fatty.” The younger person agrees, lip syncing as Sanjay “Shewty got fatty,” before breaking the character and staring at the playful intruder.
In these skits, and the dialogue in the song is almost primal – pop smoke, groove alpha, to tame Tizz, and possibly move in with his lady. It is about power, but also authority. While the people around him are making hard claims to emotions and everything else, Taz is still talking about him, looking for a stronger grip.
“Destination 2 Win”