Thursday, May 6, 2021

‘Slalom’ review: first, abuse, then steep slopes


In competitive skiing, athletes balance the rewards of downhill glory against the dangers of collapse. The sensitive, uncomfortable drama “Slalom” follows Lez (Noi Abita), a 15-year-old recruit for a ski facility in the French Alps. There, the young skier is molded into a champion by an aspiring trainer, Fred (Jerry Rainier).

From their first meeting, the relationship between Lyz and Fred is physical. Fred tells Lyse to undress so that he can monitor her weight, her musculature, her menstruation, her fitness. Lez blossoms into her meditation. Her skiing improves, and she starts winning the tournament.

But when Fred ceases his role as a mentor to have sex with Lez, the intensity of his dynamic has dire consequences for his sense of well-being. The relationship is not technically criminal, and the option of making the recently proposed Lyz age of consent Seems intentional in France. But the case is undeniably violent, built on the power dynamics that rob his agency’s lay.

The writer and director, Charlene Favier, had previous experience as a competitive skier, and is attentive to the design of mountain sports and how abuse takes place in this setting.

Fred hits ice on the back of Léz’s neck before the heat, and he picks it up to lead him to the winner’s podium – succulent and distinctive signs of blurred boundaries.

For the race, Favier’s camera does not survey remotely; In this film, the Olympic sports footage is not protected. Instead, the camera weaves with Lez between the poles, ripping up the mountain, mimicking her giddiness, leaving the abandon.

Slalom
Not rated. In French, with subtitles. In select theaters and On virtual cinema. Please consult guidance Outlined by the Centers for Disease Control and Prevention before watching movies inside theaters.



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