Silent writing time groups are common, and sometimes associated with institutions. The London Writers ‘Salon and Gotham Writers’ Workshop charge from $ 100 to over $ 400 for some of their classes, but they also run free hour writing sessions. But in the past year, many people have joined or formed critical groups, where authors bring their imagination, non-fiction or poetry to read, and the group discusses what works or not about the pieces. Does. For groups that are not run by organizations, most members learn about them by word of mouth.
25-year-old Meera Dayal, an artist and curator in Brooklyn, had wanted to work on fiction writing for years, but she enjoyed the evening at gallery openings and other art events.
He came to a sudden halt last spring, and by September he had joined a critical group with six other writers, hearing about it from a friend of a friend. Dayal, who is Indian-American, is in a group for writers, who are black, indigenous and people of color, where members bring readings for discussion and then write exercises and responses.
He said that regular meetings were not something that could fit in his life earlier. “Now, I have a less regular schedule, and I’m not going anywhere, and I don’t have half an hour of metro traffic, so I think it’s a small commitment.”
Dayal also found it helpful to remove the technique when she feels insecure about sharing her work.
“Screens are a way to create some sort of distance between people,” she said. “Everyone focuses more on the document on the screen than on the corpses in the room, so it makes it easier to feel like you have a sense of distance from the person, or you can focus on writing, or about one. Can’t think much social space. “
For Maureen Sullivan, 55, an assistant English professor in Vancouver, Wash., A long-standing commotion discouraged him from joining a writing group.