Friday, May 7, 2021

‘The Handmaid’s Tale’ changes gears, changes more than just their clothes

the result is A fourth season It seems like a very different show, which partly escapes Gilead’s suffocating climate, but one cannot escape the excitement that this provocative series is now running on borrowed time.
The Hulu show became particularly the first streaming drama to win Emmy back in 2017, when novelist Margaret Atwood felt the warning of a brutal patriarchal totalitarian state Fear of the moment. Those elements have not been eliminated, but the series has covered a lot of grounds, and has added so many important relationships, as to run “The walking dead” syndrome, Only sooner – what happens when society breaks down, with its initial changes, while moving without the same pace as their early seasons.

The central asset remains Elizabeth Moss, who has captured the franchise beyond her work on screen, directing three of this season’s 10 episodes. (Eight people were made available for preview, giving a good idea of ​​the narrative arc, while blurry about its backgame.)

Perhaps most importantly, “The Handmaid’s Tale” primarily incorporates her stunning cast at different moments, be it the creepy Aunt Lydia (Ann Dowd), “You’re Wicked, Wicked Girl” or Moss’ Jun ‘or’ Moss’. To stare at someone is really worthy of it.

Still, June’s steely temperament and Gilead’s attempts to escape inevitably shake Deck, separating him from the horrors he experienced under Commander Waterford (Joseph Fiennes) and his wife Serena (Yvonne Stravsky) , Whose own bonds have been tested.

June kicks off the third season (which concludes, it is worth noting, 20 months ago), smuggling an aircraft filled with children of Gilead to the Canadian sanctuary, one full of results on both sides of the border. Act.

Disgruntled Commander Lawrence (Bradley Whitford) says, “Gilead does not care for children, in one of those lines intended to resonate clearly beyond the series.” Gilead cares about power. “

Television, by contrast, cares about the nurture and continuity of success, and in the context of a series that raised the profile of the service it carried and became part of the cultural field – political advocates for women and reproductive rights Narrator advocate Red-cloard garbage – “The Handmaid’s Tale” certainly met those criteria and then some. Scattering the main characters at various locations has also brought a change in the wardrobe, which is underestimating at least the Crimson outfits that were a major part of the event’s marketing campaign.

Yet despite the satisfaction associated with basking in Moss’s talent – seeing the character himself in this changing landscape, while stained by his influence, emotionally and otherwise, makes the series feel – it feels as if it were a story to its conclusion. Is preparing Due to commercial imperatives compared to creative people.

Most of those who applauded the series, during its first two seasons, would likely stick around to the bitter end. Nevertheless, it is possible to continue to praise high-quality pieces of the show and still feel that the end should come sooner rather than later.

The fourth season of “The Handmaid’s Tale” will begin on April 28 in Hulu.

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