TV OT: From ‘Physical’ to ‘White Lotus,’ quiet anger is everyone’s rage. Plus, more for ‘Toon’

Two of my favorite shows of all time – HBO’s”white Lotus“And Apple TV+’s”Body“- Don’t share much on the surface. One is a current story about staff and guests at a Hawaiian resort and the other is about a woman who escapes her mundane existence in an ’80s workout. Culture and a Spiral eating disorder.

But if you’re in that (potentially small) cross section of people who’ve seen both, you know they’re both about the anger that can result from being unfinished and/or overlooked.

There’s so much delicious drama in “White Lotus” about which characters don’t say no to each other – Armand (Murray Bartlett) guest Shane (Jake Lacey) or Shane’s wife (Alexandra)’s constant complaints about smile-covered daddario. ) is the inability to tell her husband when he is a tool. The show can be called “White Hot Rage: Hawaiian Style”. Everyone wants so deeply to really feel the air that the setting demands, but in reality, they’re at the bottom of an angry, frustrated mess. (Apart from Jennifer Coolidgeof Tanya, who ties her filth around her like a sarong.)
Then there’s “Physical”, a show that was panned by some critics for having an unsuitable main character in Housewife Sheila (Rose Byrne). (yes, only hope likeable women on television There is still something happening in 2021. I roll.) In the show, people around Sheela are not aware of her often bad thoughts. Most of her genuine feelings are expressed in voiceover as Sheila humbly makes her way through life. But the truth is in Byron’s eyes throughout the series, which concludes its new season next week: Sheila may be terrible to other people but that’s only a fraction of how much she hates herself.
I have a lot of sympathy for this character. If you’ve ever lived with an eating disorder, you know that while you have nowhere to put all the overflowing dislike for yourself, it is sometimes unfairly targeted toward others. Plus, let’s be real, none of us would be sad if Sheila’s terrible husband Danny (Rory Scowell) got hit by a bus. regina george-style.
Gone are the days (for now) where I yearn for big acting with a capital “A” moment. give me eyes that can say more than a monologue (a masterclass Elisabeth Moss can certainly give after four seasons “The Handmaid’s Tale”“.give me a smile that simultaneously beats “Thank You” and “To Heck With You.” And please don’t remind me that these shows are almost over. (The fourth of six “White Lotus” episodes aired Sundays) Happens.) I don’t know what to do with myself – other than to stew quietly.

We need to talk about ‘Kevin can f**k himself’

Annie Murphy as Allison 'Kevin Can F*** Himself.'

In more dark comedy commentary, CNN’s Brian Lowry has an endorsement that’s worth giving about an F.

He writes: “In a week that brings the dating show ‘Fboy Island’ For HBO Max, another family-inappropriate title for newspapers,’Kevin Can F**k Himself,’ ends at AMC.

The eight-episode show began with a fair amount of promise, starring Annie Murphy (“Shit’s Creek”) as Allison, a woman whose conversations with her annoying, arrogant husband (Eric Peterson) were all in one sitcom. while the rest is a dark drama of his life.

The main problem has been the slow build as she seeks to break free from the sitcom conventions of the way women are portrayed on TV as well as in real life. During the finale (which is already available on AMC+) a weary Allison says, “I’m trying to be more.” While it’s not clear how long the producers can sustain this juggling act, the first season is worth watching.”

singing the same old toons

Disney+ has brought back two lovable chipmunks in a new series.
Father of two Lowry also provides this dispatch from the parent programming files: “Children’s audiences are a big part of streaming, but companies like Disney and Warner Bros. are eagerly marrying that kind of nostalgia that their parents are doing.” —Can Bring the Father Along. This week offers two consistent examples of an effort to refresh the existing animated franchise for a new generation: ‘Chip ‘n’ Dale: Park Life, which landed on Disney+; and ‘Jellystone!,’ on HBO Max, which revives Hanna-Barbera characters like Yogi Bear and Huckleberry Hound after a 30-year hiatus.

For those who love cartoons, it takes a while to get used to the stylish look. The real test, though, will be whether the kids respond, and as Chip ‘n’ Dale can attest, they may taste a little nutty.”

trailer made

Farewell to “Brooklyn Nine-Nine,” which had more life than Catwoman.

Youngsters, you know it as that show you have never seen but read all best jokes gif form. (Offensive.)

not awkward at all

Lily James 'The Pursuit of Love'

I’d love to show you the dull conversation that happened when Lori reminded the team that “The Pursuit of Love” was about to air.

Instead, I’ll let him take it away because this text won’t bother anyone: “‘The Pursuit of Love’ is one of those classy British miniseries that wouldn’t look out of place on PBS’s “Masterpiece.” But, in the content appetite of streaming services, Amazon winds up.

Lily James and Emily Beacham grow up as cousins ​​in the period before World War II, with all the constraints on their aspirations and choices. It’s a beautiful looking production of Nancy Mitford’s 1945 novel, if there is one that unwanted attention Because of paparazzi photos of James with co-star Dominic West last year, who plays his hopeless father in the three-parter, which has already aired in the UK.”

One more thing

ABC Family's 'Make or Break It.'

Thank you, Hulu, for being the streaming home of “Make It or Break It.”

The Olympics have left me craving Summer Games-adjacent stuff. This ABC Family teen drama about gymnasts sticks the landing, and fills the void left by the fact that I’ve been watching the actual Olympics very rarely due to NBC’s confusing broadcast/streaming strategy and Spoilers resulting in a time difference of 16 hours.
This Year, Apparently We Don’t Need A TV To Watch The Olympics, We Need One TARDIS.


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